Packenham's first book covered 60 trees throughout England and Ireland which he did in 1996 entitled "Meetings With Remarkable Trees." A television series followed. He has won awards for his books, is Chairman of the Irish Tree Society and plants trees for both ornament and profit.
There was only 3 principles to the way he chose his trees: (1) "Each tree must be alive, or dead on their feet; (2) They must have strong personality ie. to the extent that his wife would say 'Wow' when they walked together in its presence; (3) They must have good face: meaning that they present a face to his camera which will make a portrait."
I admire his spirit as an explorer travelling far in pursuit of his passion. I also like the way he gives descriptive names to the trees, labelling them Gods, Godesses, Dwarfes, Methuselahs, Ghosts and Trees in Peril, highlighting how easy it is to lose grand examples of 'Natures Wonders'. He describes the trees characters and refers to them as having personalities.
I connected to his work when he described how he lost his favourite 200 year old Beech tree in his garden (see image below) due to storms. He said he felt the loss like a bereavement he had been so attached to it. This touched a chord with me as I remembered feeling quite sad when some 80 year old trees were chopped down opposite where I live, to make way for a housing development.
This is a picture of the 200 year old Beech taken by Thomas Pakenham |
I like the shape of this Beech, the way the branches reach out like a fan or part of a wheel; you can imagine it going round in a full circle like a big wheel at a fair. The fact that it was photographed in the snow is lovely emphasising the contrast of the hard dark trunk reaching up to the softness of the snowy foliage. I also like the way he purposely choose to have a person in the image to show the scale. On this small picture, which I took from Packenham's book, its hard to see the lovely blue sky that would have been coming through the wood and snow effect. Its the sort of tree I would have marvelled at too had I been there and can fully understand why it would be his favourite. Especially as he had it in his own garden, I would imagine he may have felt privileged.
Though this image (taken from Pakenham's book) has not come out as clear as I would have hoped, I wanted to include it in my log because it was one at the beginning, that enticed me to read on...
Though this image (taken from Pakenham's book) has not come out as clear as I would have hoped, I wanted to include it in my log because it was one at the beginning, that enticed me to read on...
The broken branches of the tree after the storm taken by Thomas Pakenham |
It actually bought a lump to my throat when I read how he seemed heart broken to loose it. It shows how delicate trees can be, even for their great size.
Thomas Pakenham's photographs study the tree shape, age, girth, height and individuality. I found the stories behind why he had singled out the trees very interesting ie. how our May Day May Pole was originally made from a tree; how in years gone by people had lived in the tops of trees for protection from wild animals; how loggers in Australia chop down certain type of tree (Tingles) because they make nice furniture, and how some of these there are also ravaged by fire.
He describes these old Tingles "like trolls, brutal, ugly, magnificent creatures that can live for centuries ", if left alone.
I like both trees equally, well nearly equally. Grant to me looks stompey; his snow boots together in defeat of losing the battle. He could easity stomp on the figure with one move. His trailings come down curling nicely over his cinnamon toned body but Sherman's body is also great and not so thick set; He stands proud of his status with more mass of greenery further outstretching his soaring limbs to who knows where? His scene is awash with green, while Grant's with green and white. The neighbour trees in both images look good too.
They are both wow scenes to me, if only for their grand size. I think they are outstanding examples of that type of tree. Is it coincidence that the scene that looks more christmasy with snow tints, is Grants? (and I like that fact), but its Sherman that does it for me!
I compare my work to that of Thomas Pakenham in the way that I also take photographs of trees that capture my attention. ie. Monster Tree, Alive and the following:
Autumn Gold
shutter 1.100 f6.3 iso 200
This tree is between 200-300 years old and I think its lovely showing off its autumn colours to mix in with the surroundings. The age, shape and colours alone would have made me take the shot but more interest comes with its hollow base hole... which needed more inspection. I find this a rewarding angle to take the picture from but I also took a closer shot from a diagonal angle, where it showed me another face:-
shutter 1/60 aperture 5.0 iso 200
Now clearly there is a face isn't there? It can't all be in my imagination. I think the more you look at trees the more faces can be found? The base hole looks spooky...I may not be looking inside, but the texture of this tree is fantastic, so intricate, I love it.
They are both wow scenes to me, if only for their grand size. I think they are outstanding examples of that type of tree. Is it coincidence that the scene that looks more christmasy with snow tints, is Grants? (and I like that fact), but its Sherman that does it for me!
I compare my work to that of Thomas Pakenham in the way that I also take photographs of trees that capture my attention. ie. Monster Tree, Alive and the following:
Autumn Gold
shutter 1.100 f6.3 iso 200
This tree is between 200-300 years old and I think its lovely showing off its autumn colours to mix in with the surroundings. The age, shape and colours alone would have made me take the shot but more interest comes with its hollow base hole... which needed more inspection. I find this a rewarding angle to take the picture from but I also took a closer shot from a diagonal angle, where it showed me another face:-
shutter 1/60 aperture 5.0 iso 200
Now clearly there is a face isn't there? It can't all be in my imagination. I think the more you look at trees the more faces can be found? The base hole looks spooky...I may not be looking inside, but the texture of this tree is fantastic, so intricate, I love it.
No comments:
Post a Comment